Reflecting on My First Gabriola Thanksgiving Studio Tour

Deb Chaney stenciling in the studio

As I mentioned in September, I participated in the 2022 Thanksgiving Studio Tour here on Gabriola Island. It was the 26th time the Gabriola Arts Council held the free event and 65 artists took part in it. And I’m so glad that I was one of them. So I’d just like to take this opportunity to reflect on the weekend and record my experience.

Nature Was on Our Side

A fundamental storytelling maxim is never open with the weather. But when you’re talking about the Gulf Islands in October and you get a weekend full of sunshine, it deserves to be mentioned. And the weather was amazing.

If you haven’t read my earlier post, the studio is just what it sounds like. Local artists on the island open their studios (and/or homes) to the public for 3 days during Thanksgiving weekend and people can visit them at their leisure – for free. Over the course of those 3 days, we probably had around 100 people come by the house. And we basically had 2 things going on for the tour.

Two Paths for Visitors to Explore

First, we converted the house into a gallery (see the slideshow below!) with plenty of paintings of all sizes for visitors to enjoy. Many were hanging on walls, while I also had plenty of my Little Gems, unframed, that people could browse through.

Second, in the studio, I was giving demonstrations of how I work and inviting people into my process. I took the opportunity to really share about the Drishti Paintings, the large-scale new series that I’m working on. I shared the intention and inspiration behind them, along with the parameters I’m following in the creative process. By taking unfinished paintings off the wall and adding layers, I was able to share my intuitive process of painting only in situations where I know the next step. Trusting that, I keep working on it and the painting then reveals to me the direction it's heading.

It was really fun and exciting and I got the sense that people really enjoyed seeing the process up close. It was actually the first time I’ve done demonstrations during a studio tour and I found it to be a great way to connect with visitors.

The True Meaning of Community

My daughter and her friend Angelica tended to the “house gallery”, assisted by a rotating crew of helpers from the island. And we were all so touched by the incredible sense of community support.

Six different women showed up at our house for morning and afternoon “shifts” on Saturday, Sunday, and Monday to help in any way they could. They did everything from greeting visitors and answering questions, to sweeping up, to preparing the hot chocolate and muffins we provided to anyone who stopped by.

And even though we’ve got a small island community, I didn’t actually know any of them personally before. They’d simply seen our request for help on the Community Facebook page and volunteered their time and assistance. 

It was such a good feeling and I’m so grateful for the good fortune to live in such a place. The experience was really unlike any other studio tour I’ve been involved in before. Gabriola Island is not only home to a lot of artists, but the community at large has such strong support for its artists – and these 2 factors combine to create a thriving art culture.

With all the other artists around, one of the things I found most exciting was when other artists came to visit my studio. It’s always such an honour and privilege. One of the artists to stop by was Gwen Spinks, whose exhibit I attended last year. And another was Karen Cain, who is a highly regarded artist and instructor. I’m really excited to visit her studio at some point. There were others as well, and each interaction was special and amazing.

Cherishing Those Magic Moments

The weekend was full of magic moments. I collect sand from our Twin Beaches here on Gabriola Island. And when kids came by, I showed them how I mix the sand with gel medium to use in my paintings. I got out my stencils and palette knife and showed them how to apply it, and some people watching announced that they wanted to go home and do it.

They were so inspired and that’s what I love – because art can be so fun and healing. If I can share what I’m doing and people get excited about it, it’s an incredible thing to witness.

Other magic moments include:

My friend and neighbour Paul stopped by with a prayer plant for my new studio.

My friend Moe came by with his partner Ocean, a wood carving artist, and she brought me the most delicious pear. (Which was perfectly timed with my growing hunger.)

Then my neighbour Nadine brought me some beautiful flowers.

And my other neighbour Larry noticed my doorknob was in need of little love – so he came back with his toolbox and fixed it for me. It’s a wonderful feeling to have these supportive and loving neighbours.

There were other moments too… like when strangers were gathered in the studio and someone pulled out a bottle of wine to share. Or someone suddenly started singing. Or chanting. Or all the conversations about spirituality and healing, and people just being open and authentic, sharing some of the most personal aspects of their lives.

This is a truly special place.

We even had Surprise Visitors

Like special guest stars surprising a studio audience, I had a couple of surprise visitors show up. My life coach, Michelle Falcone, whom I wrote about in August, texted me to say that she’d be coming over to the island with some friends. And one of those friends turned out to be my friend Susan Greig! (Susan is an artist as well and she owns and operates Braid St Studios, which I also wrote about earlier.)

My jaw dropped. I couldn’t get over that she was here. And she also ended up purchasing The Moon at Night, and it always deeply flatters me when another artist buys my work. It means the world to me that they are spending their hard-earned money to add my artwork to their personal collection.

Original Artwork Sold (plus Prints for Sale Online)

We sold a lot of other smaller paintings as well, and we have 2 larger paintings on hold while the interested buyers measure their home. We also had little notepads for sale, which turned out to be quite popular. They were a fun keepsake for people to remember the studio with.

If you were unable to attend the tour, you can browse through my collection on Saatchi Art’s online gallery. You can also find many of the paintings in my Little Gems Series there. 

Saatchi Art offers multiple options to suit your personal tastes or needs. You can choose to have your print on paper or canvas and choose from 4 sizes to best fit your room. You also have the option to have it framed in white, black, or natural wood.

The “View In A Room” image on Saatchi Art should give you an idea of its size and let you see what it looks like on a wall.

Blending acrylics to create a smooth gradient look




This photo is a section of an in process 36 x 36 x 1 1/2" painting I'm currently working on in the studio. I liked the shot so I thought I'd share it. The Finished piece will be posted on this blog and at www.debchaney.com some unknown date in the future.
(c) Deb Chaney 2010.

I received an Email question from a fellow artist who wrote me wondering about creating smooth gradients using acrylics.

This question is definitely worthy of a short video. It is my hope that before the end of this year I will have the video camera set up on a tripod in the studio and be able to film a short on how to do this so you can see it for yourself. For now, here's her question and my answer....

"Hi Deb!

How are you? Hope you are having a great week.

I am currently working on an acrylic painting with a warm orange background. Starting with warm red from the top, fading down to a warm orange on the bottom, I am wanting to create a smooth gradient look.

I'm having a lot of trouble achieving this with acrylics. I'm getting many streaks and lines. The colours are not blending perfectly to a solid gradient look.

Would you be willing to offer any suggestions or any tips or tricks to achieve this look and combat the streaks? Perhaps the paint didn't stay wet enough for long to blend properly. I've painted many coats and nearly used up my entire orange tube ! LOL"

Hi Lisa,

Thanks for writing.

My first question for you would be - Are you using heavy body or liquid acryics?

You mentioned using a tube, so I'm guessing you're using the full body acrylics (toothpaste consistency).
If so, my recommendation is that you use a gel medium - like Golden soft or regular gel - in that area where the two colours merge. The medium could help to blend the two colours together seemlessly, like you desire, and could be used in lieu of water.

The next question I would ask you is what kind of brush you are using for blending the colours?

I have a lot of success using a very soft bristle flat head brush to blend colours. Back and forth, back and forth lots of times, more than would be intuitive, to blend the two colours with the medium and create that gradient you want without streaks or lines.

Lastly, I am wondering if your're working flat or if the substrate you're painting on is up on an easle? It's so much easier to blend gradients when you're working flat on a table. Then if you want to add water it's not going to drip down and disturb the layers below.






If I made the incorrect assumption
about the paint consistency you're using and you are using liquid acrylics (I love the Golden liquid acrylics myself), they blend beautifully and you can also uses a fluid medium in between two colours, same technique as described above.






Hope this helps. Comments are welcome.

Have another question? info@debchaney.com