The Intersection of Art & Beauty: How Visual Aesthetics Elevate Wellness Brands

A mock-up illustrates how Art elevates packaging with Emerald Lake, 9” x 12” x 0.2” Mixed Media on paper, © Deb Chaney Prints available on Saatchi Gallery.

Bringing art and wellness together for a powerful brand identity.

The beauty and wellness industry is built on aesthetics, experience, and emotional connection. But what happens when you integrate fine art into a wellness brand’s visual identity? The result can be a transformative enhancement to the brand’s impact, creating a deeper connection with consumers.

A Meeting area Gets a boost by Emerald Lake, 9” x 12” x 0.2” Mixed Media on paper, © Deb Chaney Prints available on Saatchi Gallery.

Naturally Mum: A Vision for Art-Infused Branding

Recently, I discovered Naturally Mum, a company dedicated to 100% natural and vegan pregnancy skincare products. Their magnesium body butter caught my attention after a healer recommended magnesium as a topical solution for relaxation and muscle recovery. I purchased their product and immediately fell in love with the calming scent and luxurious texture.

Naturally Mum focuses on safe, small-batch, high-quality wellness products, and their clean, minimalist branding reflects that philosophy. This got me thinking—how could a collaboration between an artist and a wellness brand like Naturally Mum enhance the emotional and visual appeal of their packaging?

Emerald Lake, 9” x 12” x 0.2” Mixed Media on paper, © Deb Chaney Prints available on Saatchi Gallery.

The Power of Art in Brand Aesthetics

Art and branding share a common goal: evoking emotion and connection. When wellness companies integrate original artwork into their product packaging, website, and marketing materials, they create an immersive experience that resonates with customers on a deeper level.

Imagine Emerald Lake, one of my abstract paintings, overlaid onto Naturally Mum’s packaging. The soothing greens and layered textures would reinforce the brand’s commitment to natural healing and relaxation, offering a visual experience that mirrors the product’s effect.

This fusion of art and wellness branding could:

• Create a distinctive brand identity that sets the product apart on shelves.

• Strengthen emotional engagement through color psychology and artistic storytelling.

• Enhance customer experience by transforming packaging into artistic keepsakes rather than disposable containers.

A Meeting area is bolstered by The Moon at Night, 9” x 12” x 0.2” Acrylic on Canvas, © Deb Chaney Prints available on Saatchi Gallery.

A Win-Win Collaboration Between Art & Wellness

Integrating original artwork into wellness branding is more than just an aesthetic choice—it’s a strategic move that benefits both the artist and the company.

For wellness brands, custom artwork can elevate their visual identity, making their products more memorable. For artists, collaborating with a values-aligned brand offers an opportunity to showcase their work in new and meaningful ways.

While I am not currently sponsored or affiliated with Naturally Mum, I’m inspired by the idea of merging my art for well-being with their brand or a similar company that promote holistic health. This is the future of branding—bringing together beauty, wellness, and artistic storytelling.

The Moon at Night, 9” x 12” x 0.2” Acrylic on Canvas, © Deb Chaney Prints available on Saatchi Gallery.

Art & Wellness: A Natural Synergy

The fusion of art and wellness branding opens the door to exciting new possibilities. As consumers increasingly seek products that are not only effective but also meaningful and visually inspiring, integrating fine art into branding can create a powerful, memorable connection.

Would you like to explore how original artwork can elevate your brand’s visual identity? Book a consultation to discover the perfect artistic collaboration for your business. Email info@debchaney.com and mention this blog to get started.

The Power of Abstract Art: How Non-Representational Art Sparks Innovation

A meeting area is injected with energy by The Flower Cup i, 9” x 12” x 0.2” Acrylic on Paper, © Deb Chaney Prints available on Saatchi Gallery.

Unlock fresh ideas through abstract art.

Abstract art isn’t just visually striking—it’s a tool for stimulating new perspectives and innovative thinking in corporate environments.

The Flower Cup i, 9” x 12” x 0.2” Acrylic on Paper, © Deb Chaney Prints available on Saatchi Gallery.

The Neuroscience of Abstract Art & Creativity

Studies suggest that viewing abstract art engages the brain differently than representational artwork, activating higher-order cognitive functions such as problem-solving and flexible thinking. The open-ended nature of abstract forms encourages viewers to interpret and engage, fostering innovation in corporate settings. (Source)

Many companies, including Apple and Google, embrace abstract art in their offices as a means to stimulate creative thinking among employees. The ambiguity of non-representational art challenges the mind, encouraging new ways of approaching problems.

A waiting Area invites contemplation with BiWT i, 36” x 24” x 0.5” Collage on canvas, © Deb Chaney Prints available on Saatchi Gallery.

Real-World Example: Corporate Excursions to Art Galleries

A friend of mine worked for a corporation with a forward-thinking leadership team. Their management regularly took top project managers on excursionary visits to local art galleries. These outings weren’t just cultural experiences—they were designed to stimulate fresh thinking. Employees were encouraged to analyze and discuss paintings, leading to new perspectives and unexpected solutions that they brought back to their projects.

This concept aligns with orthogonal thinking, a term a mentor of mine often uses. She describes it as the practice of stepping outside one’s usual focus area to expand creative problem-solving. In sports, this might be considered cross-training, where training in different disciplines improves overall performance.

Imagine how wellness product companies developing a new brand or skincare line could apply this strategy. Instead of starting with conventional brainstorming, teams could visit an art gallery to immerse themselves in visual inspiration. The colors, textures, and compositions in abstract paintings could ignite fresh ideas for packaging, branding, and product aesthetics—an exciting and innovative way to approach product development!

BiWT i, 36” x 24” x 0.5” Collage on canvas, © Deb Chaney Prints available on Saatchi Gallery.

Curating Abstract Art for Maximum Impact

If your company is considering integrating abstract art into the workspace, here are three key elements to keep in mind:

• Diversity of Form & Color – Bold, fluid compositions encourage different interpretations, fostering open-ended thinking.

• Strategic Placement – Abstract works should be placed in meeting rooms, brainstorming spaces, or collaborative areas to maximize impact.

• Engagement Opportunities – Encouraging employees to interpret the art through discussion can enhance problem-solving skills and collective creativity.

A waiting Area sparks creativity with Freedom of Expression, 15” x 11” x 0.1” Acrylic on paper, © Deb Chaney Prints available on Saatchi Gallery.

Abstract Art as a Catalyst for Innovation

Abstract art isn’t just about aesthetics—it’s a tool for sparking creativity, new perspectives, and breakthrough ideas in corporate settings. By incorporating non-representational artwork into the workplace or engaging with art excursions, businesses can cultivate a culture of innovation and inspiration.

Interested in exploring how abstract art can elevate your workspace? Book a consultation to discover the right pieces for your business. Email info [at] d e b c h a n e y [dot] com and mention this blog to get started.

Creativity as a Corporate Asset: Why Forward-Thinking Brands Invest in Art

A boardroom gains gravitas with Storming, 72” x 48” x 1.5” Acrylic on Canvas, © Deb Chaney Prints available on Saatchi Gallery.

Art as a catalyst for business growth and innovation.

Forward-thinking brands understand that creativity fuels success. Integrating art into corporate spaces isn’t just about aesthetics—it’s a strategic move that drives engagement, brand loyalty, and innovation.

Storming, 72” x 48” x 1.5” Acrylic on Canvas, © Deb Chaney Prints available on Saatchi Gallery.

The Business Case for Art & Innovation

Studies from McKinsey indicate that organizations that embrace creativity outperform competitors in revenue growth and innovation. When businesses integrate art into their workspaces, they foster environments that inspire employees and stimulate fresh ideas. (Source)

Companies like Google and Airbnb use curated art collections to reinforce their brand values, creating unique work environments that enhance employee satisfaction and productivity.

A bedroom is brightened by Snow White, 24” x 30” x 2.5” Acrylic on Canvas, © Deb Chaney Prints available on Saatchi Gallery.

Brand Identity & Emotional Connection -  Hilton Hotel Collaboration

Beyond aesthetics, art plays a crucial role in brand storytelling. Companies that invest in custom artwork or collaborate with artists create deep emotional connections with their employees and clients.

 A number of years ago, I had the wonderful opportunity to collaborate with Hilton Hotels and a print reproduction company based in Vancouver, BC. During a redesign of the Hilton Hotel in Calgary, Alberta, my painting Snow White was selected to be featured in every guest room, bringing an uplifting and calming presence to the space.

The synergy between Snow White and Hilton’s brand aesthetic was undeniable—the painting’s blue and white tones aligned seamlessly with their clean, simple brand identity. Additionally, blue is known in color theory to represent peace and calm, scientifically proven to have a positive psychological impact.

It was an absolute pleasure to contribute to this brand transformation, bringing layered mixed-media art into a corporate hospitality setting. Snow White was selected for its ability to create a serene, welcoming atmosphere for guests—enhancing their experience from the moment they stepped into their rooms. (View Snow White Prints)

A modern reading space elevated by the Fragments of Life #35, 23” x 30” x 0.4” Acrylic on Paper, Fragments of Life Series © Deb Chaney Prints available on Saatchi Gallery.

The ROI of Corporate Art Investment

Corporate art is more than a visual enhancement—it’s an asset that contributes to employee retention, client perception, and overall workplace morale.

Key benefits of investing in corporate art:

• Enhances company culture by fostering an environment of creativity and inclusivity.

• Improves client engagement by making corporate spaces feel more inviting and inspiring.

• Boosts productivity and well-being by reducing stress and increasing focus in work environments.

Fragments of Life #35, 23” x 30” x 0.4” Acrylic on Paper, Fragments of Life Series © Deb Chaney Prints available on Saatchi Gallery.

Final Thoughts

Art has become a strategic tool for businesses looking to enhance their spaces, drive innovation, and strengthen brand identity. Companies that invest in curated, meaningful artwork set themselves apart and create work environments that inspire both employees and clients.

Interested in exploring how art can elevate your corporate space? Book a consultation to discover the right pieces for your business. Email info@debchaney.com and mention this blog to get started.

#CorporateCreativity #WorkplaceInnovation #ArtForGrowth #CreativeStrategy #WellBeingAtWork

The Art of Well-Being: How Visual Harmony Elevates Workspaces

A casual office lobby environment is uplifted by Deb Chaney’s painting New Perspective. large scale prints available via SaatchI Online Gallery.

Transform your environment, transform your energy.

Imagine walking into a workspace that makes you feel calm, inspired, and focused. The right artwork has the power to shift energy, enhance well-being, and boost productivity. For forward-thinking companies, investing in meaningful art isn’t just about aesthetics—it’s about creating a workplace that nurtures mindfulness and creativity.

It Is Safe For Me To Play, 48” x 48” x 1.5” mixed media on canvas, © Deb Chaney Prints available on Saatchi Gallery.

The Science of Art & Well-Being

Scientific research confirms what many intuitively know—our environments significantly impact our emotions and productivity. Studies from Gallup show that enriched environments, particularly those featuring artwork, can reduce stress levels and improve concentration in the workplace. A well-curated workspace doesn’t just look appealing; it fosters an atmosphere of creativity, efficiency, and well-being. (Source)

Beyond aesthetics, art has been linked to cognitive benefits such as improved problem-solving skills and increased emotional resilience. Organizations that prioritize workplace design and incorporate visual elements often see enhanced employee engagement and satisfaction. Simply put, art isn’t just decor—it’s a tool for transformation.

Jocelyn Dewar in her newly transformed Edward Jones Nanaimo office. Featured artwork: It Is Safe For Me To Play, 48” x 48” x 1.5” mixed media on canvas, Drishti Painting Series © Deb Chaney Prints available on Saatchi Gallery.

Real-World Impact: Transforming an Office with 'New Perspective'

Recently, I had the opportunity to collaborate with Jocelyn Dewar, an Edward Jones financial consultant, who wanted to revamp her office space. She envisioned a welcoming, calming environment where both she and her clients could feel at ease while engaging in important financial discussions.

After carefully considering her needs, we chose my painting, New Perspective. This piece features fluid, layered hues that balance strength and serenity, mirroring the kind of atmosphere she wanted to cultivate. Once installed, the change in her office was immediate. The previously stark, uninspiring space became a haven—clients expressed feeling more relaxed, and Jocelyn herself noticed an increase in her own focus and clarity.

This experience reinforced my belief in the power of art to shift energy in a space. When we surround ourselves with artwork that resonates, we invite creativity, balance, and transformation into our daily lives. (Read more)

Installation of  six Strokes, 9” x 12” x 0.1” mixed media on Paper, © Deb Chaney Prints available on Saatchi Gallery.

Choosing the Right Art for Maximum Impact

Selecting the right artwork for a workspace isn’t just about personal taste; it’s about aligning the energy of the piece with the function and intention of the space. Here are three essential considerations when choosing art for an office environment:

1. Color Psychology: Different colors evoke different emotions. Soft blues and greens promote calm and clarity, while warmer tones like yellows and oranges can boost creativity and enthusiasm.

2. Scale and Placement: Artwork should complement the space without overwhelming it. A large-scale piece can serve as a statement, while smaller works can add subtle texture and depth.

3. Personal Connection: Choosing art that holds personal meaning or aligns with company values creates a more authentic and inviting atmosphere.

By thoughtfully selecting art that resonates with both the individual and the workspace, companies can craft an environment that supports focus, creativity, and overall well-being.

six Strokes, 9” x 12” x 0.1” mixed media on Paper, © Deb Chaney Prints available on Saatchi Gallery.

Final Thoughts

Art has the power to transform not just walls but the way we feel and function within a space. Whether you’re a business owner looking to elevate your office environment or a professional working from home, integrating meaningful art can significantly enhance your daily experience.

The right piece of art can do more than decorate—it can shift energy, elevate focus, and create a sanctuary of inspiration.

Interested in seeing how Deb Chaney’s Art for Well-Being can transform your space? Book your personal consultation for recommendations to transform and elevate your office space today. Email info [at] d e b c h a n e y [dot] com and mention this blog. 

#ArtForWellBeing #MindfulSpaces #CreativeOffices #HealingArt #CorporateWellness

How Original Artwork Can Transform Office Spaces

Jocelyn Dewar in her Edward Jones Nanaimo office. I Belong In This World Just As I Am, 48” x 72” x 1.5” mixed media on canvas, Drishti Painting Series © Deb Chaney Prints available on Saatchi Gallery.

Creating a welcoming, calming, and uplifting office environment isn’t just a luxury; it’s an essential element of fostering trust and connection with clients. Incorporating beautiful, original artwork into your office space can be transformative in many ways.

Jocelyn Dewar sitting in her newly transformed Edward Jones Nanaimo office. Featured artwork: It Is Safe For Me To Play, 48” x 48” x 1.5” mixed media on canvas, Drishti Painting Series © Deb Chaney Prints available on Saatchi Gallery.

Jocelyn’s Experience with Healing Artwork

I’m honored to have had the opportunity to work with Jocelyn Dewar, a financial advisor with Edward Jones in Nanaimo, British Columbia, who recently rented several pieces from my Drishti Paintings series for her office space.

Jocelyn’s goal was to create a space where her clients feel safe, calm, and confident in their financial decisions. Here’s what she shared about the impact of the artwork in her office:

“The first time I saw Deb’s art, it just resonated so strongly for me. On a physical level, I felt calm and peaceful just taking in her art, and I wanted that feeling to be present in my office as well. Financial decisions can be stressful, and I believe we can transform those normally stressful places into ones of calm and reflection with beautiful artwork.”

By incorporating original paintings into her office, Jocelyn has been able to create an environment that reflects her commitment to her clients’ well-being. She believes that this atmosphere helps her clients better understand their relationship with money and approach decisions from a more positive and empowered perspective.

Artwork enhancing Jocelyn Dewar’s Edward Jones Nanaimo office. Featured artwork: It Is Safe For Me To Play, 48” x 48” x 1.5” mixed media on canvas, Drishti Painting Series © Deb Chaney Prints available on Saatchi Gallery.

How Artwork Can Enhance Your Business

Here are some of the key benefits of adding art to a financial office:

1. Creates a Welcoming Atmosphere Original artwork has the power to transform an impersonal office into a warm, inviting space. This immediately helps clients feel valued and at ease when they walk in.

2. Builds Trust and Professionalism Thoughtfully chosen artwork demonstrates attention to detail and sophistication. It communicates stability and professionalism, reassuring clients that they’re in capable hands.

3. Reduces Stress and Anxiety Financial decisions can often feel overwhelming. Calming artwork featuring soft colors, textures, or nature-inspired themes can help soothe nerves, making the overall experience more pleasant.

4. Enhances Brand Identity Artwork that reflects a company’s values—such as growth, balance, or mindfulness—helps reinforce its brand and create a memorable impression on clients.

5. Encourages Positive Engagement Inspiring and thought-provoking pieces act as conversation starters, fostering connections between clients and financial advisors in a natural and relaxed way.

Love Letter to Myself’ 30” x 40” x 1.5” mixed media on canvas, © Deb Chaney. This painting is a sample of more artwork currently available for rent or purchase. Email me at info@debchaney.com for more information. Prints available on Saatchi Gallery.

About Jocelyn Dewar

Jocelyn has over 12 years of experience in the financial services industry, having started her career during the intense market correction of 2008. This challenging beginning helped her develop resilience and a deep understanding of financial markets, which she now brings to her clients.

She believes that financial advising is about more than just numbers; it’s about building long-term relationships and helping clients feel safe, secure, and confident in their financial journey. To Jocelyn, it’s about more than transactions—it’s about creating friendships and partnerships for life.

To connect with Jocelyn:
Jocelyn Dewar
Edward Jones Financial Advisor
1808 Bowen Rd., Unit 108
Nanaimo, BC, V9S 5W4
Phone: (250) 714-1808
Email: Jocelyn.Dewar@edwardjones.com
Website: Edward Jones – Jocelyn Dewar

Discover how you can elevate your workspace

If you’re located on Vancouver Island or in the Lower Mainland Vancouver area and would like to explore how incorporating original artwork into your office can elevate your space and benefit your clients, I’d love to connect. Renting or acquiring artwork can help create an environment that aligns with your values, fosters trust, and makes clients feel safe and secure.

Book a free 15-minute discovery call to learn more about how artwork can support your business. Contact me at info@debchaney.com.

Red 30” x 40” x 1.5” mixed media on canvas. © Deb Chaney. This painting is a sample of more artwork currently available for rent or purchase. Email me at info@debchaney.com for more information. Prints available on Saatchi Gallery.

Exploring the Journey of a Spiritual Abstract Artist: An Interview with Deb Chaney

Serenity by Deb Chaney 36” x 36” x 1.5”, Prints and reproductions are available at Saatchi Art.

Art has the power to transcend the visible and connect us to the unseen, evoking emotions, intuition, and deeper understanding. In this interview, we sit down with Deb Chaney, a renowned spiritual abstract artist whose work captures these ineffable elements.

Deb shares her creative process, her journey into the art world, and the challenges she’s faced along the way. Whether you're an aspiring artist or someone who appreciates the transformative power of art, Deb's story is sure to inspire.

Interview with Deb Chaney

Vanessa: After doing some research and looking at your pieces, I was wondering how you decide to represent your spiritual abstract paintings and which mediums you use to make them ready to sell?

Deb: Thank you for taking the time to research and look at my art—it means so much to me! 🙂 My favorite piece I’ve painted to date is called Serenity. An actress in Vancouver has it in her treasured collection, which makes me so happy.

I decided to represent my art as "spiritual" because the spiritual side of life—meditation, healing, intuition, angels, miracles, energy, emotions, and feelings—are things we cannot see but can sense and feel. Abstract art felt like the perfect medium to convey this, as it’s less about depicting something concrete and more about exploring the unseen.

In my paintings, I use everything from acrylics to mica flakes, pastels, pencils, spray paints, collage elements, sand, and more. Creating with all these layers is fun, challenging, and deeply engaging for me. I feel incredibly lucky to work in this mixed-media style and love the process of layering.

To finish a painting, I seal it with an isolation coat (a clear gloss layer that separates the painting from the varnish) and then apply a final varnish. If you look closely at the back of my paintings, you’ll see a small “i” with a checkmark, indicating the isolation coat is complete, and a small “v” with a checkmark, meaning it’s been varnished (two coats). I also paint the edges and sign the back to complete the piece.

Ignore Reality (48” x 48” x 1.5”), mixed media on canvas. Original and Prints available at Saatchi Art.

Vanessa: When you were in school, did you take all the opportunities in art class, and did you know at the time that you wanted to be an artist?

Deb: I attended UVIC and earned a B.Sc. in Earth and Ocean Sciences (EOS). I had no idea during my studies that I would one day be an artist.

I’ve always loved the outdoors—hiking, camping, and exploring rivers, streams, oceans, and mountains—so studying geology, oceanography, and geography was fascinating and fun for me. Perhaps that’s why I enjoy incorporating sand into my paintings! 😉

In the EOS program, there were no electives, so I didn’t have the chance to take art classes. However, I do remember biking to school one day and passing a church basement filled with easels and paintings in progress. That moment spoke to me, but at the time, I didn’t realize it was a glimpse into my future.

My artistic career began much later, in my late 20s, after I graduated and moved from BC to California.

Panorama of Deb’s ⁠studio showing large scale Drishti paintings in process. See some of the finished works here.

Vanessa: There must have been some bumps in the road as you discovered yourself as an artist. Can you tell me about them and how you overcame them?

Deb: Absolutely—challenges are constant and come in many forms. I’m currently reading The Obstacle is the Way by Ryan Holiday, and I wholeheartedly agree that obstacles are opportunities if we see them from the right perspective.

Being an artist is not an easy or secure career path. It’s not like medical school, where you follow a set program and become a doctor. I didn’t attend art school, but from what I’ve heard, many programs don’t teach the practical skills needed to build a career as an artist.

The first challenge was navigating the art industry and understanding how it works—learning the differences between commercial galleries, vanity galleries, and artist-run galleries, for instance. Another challenge is the entrepreneurial aspect. Selling your work means running a business, which involves pricing, marketing, organizing inventory, and shipping.

The third challenge is emotional. Sometimes you create something meaningful to you, but others may not understand or appreciate it. As an artist, you have to develop resilience and create for yourself, staying true to your vision regardless of feedback.

Vanessa: Do you think anyone can be an artist? What traits are important when starting that journey?

Deb: I believe we’re all creators at heart. Every decision we make—how we dress, decorate our spaces, or style our hair—is a creative act.

However, if you’re asking whether anyone can pursue art as a career, the answer is more complex. It requires focus, determination, resilience, and entrepreneurial skills. Not everyone is ready to take on that level of commitment.

Deb working in the studio on her Drishti Paintings. See some of the finished works here.

The most important trait when starting out is clarity. Define what being an artist means to you. Success might look different for everyone—whether it’s selling your work globally or creating for personal fulfillment.

As Danielle Laporte beautifully said, “The journey has to feel the way you want the destination to feel.”

Vanessa: What would you define as art?

Deb: My definition is simple: art is something created consciously and then declared as art.

The dictionary definition resonates with me:

Art | ärt | (noun)

1. The expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.

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Vanessa Martin is a current student at Victor-Brodeur school on Vancouver Island and interviewed Deb for her visual arts class project. She found Deb via the Art BC website and chose to interview and feature her for her project because; “I looked at a few sites, but none of the pieces stood out to me from the one that I saw, then I found you. I believe the thing that really caught my eye with your piece was that it was so complex, and I felt as if you could notice different things within it each time you looked at it. I was intrigued and excited to reach out and interview you for this assignment.”

Welcome to The Drishti Experience (Part 5 of 5)

This is the final installment in a series of 5 posts focused on my current solo painting exhibit: The Drishti Experience - Capturing the Frequency of My Well-Being. If you missed the other posts, you can read parts 1 through 4 on this blog.

Whether we're aware of it or not, we are all on a healing journey here on earth. Each of us seeks ways to navigate life in order to feel good.

At its core, this journey is about remembering our authentic selves—recognizing that we are, in fact, part of the divine here on earth. The more we reconnect with this truth, the more we experience clarity, calm, confidence, courage, and connection. In essence, we feel good when we align with our authentic selves.

Creating these paintings was a tremendous learning experience for me. Whenever I felt lost, overwhelmed, or afraid during the process, I would take a deep breath, place my hand on my heart, and gently remind myself:

"Deb, you only need to know your next step."

Sometimes, that next step was as simple as washing my brushes, leaving a note about the next layer, or even taking a nap. This present-moment focus—a drishti—helped me move forward in creating this body of work.

Through this intimate process, I remembered that I am safe, worthy, powerful, loved, and that I belong. And so do you, dear friend.

When we focus on thoughts that bring us joy, we return to the frequency of our well-being.

💖 Download the beautiful digital catalogue for this exhibit. 💖

A World of Thanks and Appreciation

Thank you to each friend who came to the opening. You know who you are and I appreciate you showing up for me, and for the flowers, kindness, support, and most of all for believing in me all these years. 

You had me in tears of total joy. This evening was honestly one of the best nights of my life. 

Thank you for being part of it.

Thank you for the phenomenal team at Douglas College who helped execute this exhibit from start to finish. Thank you to the adjudication board at Amelia Douglas Gallery for choosing my proposal and believing in my exhibit concept. Thank you to the set up crew, piano player, food services, and security team for getting me safely to my car in the evening after the show.

Thank you to Jeanette Tilly for helping me write the Canada and BC Arts Council grants. Big, huge, amazing thank you to the arts director and gallery curator Jennifer Racco for managing, supporting, promoting, helping, creating the catalogue, and many, many more things she did to make this happen.

Thank you to my amazing digital support team Susan Greig for managing my Instagram and for Doug Wright for taking care of emails and all the other social media platforms. I could not have done this without you! THANK YOU.

I would like to thank a number of key people in our Gabriola Island community who helped me with the various aspects of this exhibit. The Gabriola Arts Council for awarding me the grant earlier this year in support of this exhibit. Thank you. 

Our local artist, Tyrrell Clarke, for taking all the promotional photographs. Thank you. Carol Ferguson for helping me write the BC and Canada Arts Council grants; thank you. Jonathan Hoskins for making the beautiful small frames for the Little Drishti paintings. Thank you. Stephanie Artuso for taking the final photographs of the large Drishti Paintings for the exhibit catalog. Thank you. 

Catherine Hallum of Free Spirit Gallery for cheering me on every step of the way. Thank you. Ezra Miller for arriving at my studio at 8am (was it even light out?!!) to help me pack up the paintings and load up the van. Thank you. Thank you to Unky Lestrange for helping us set up the glass cases and art labels. Willow Friday of Iron Oxide Art Supplies for getting me all the materials I needed to create these paintings. Thank you.

Thank you to The Georgia Strait, Galleries West , Preview Magazine, and Arts New West for listing this event on your sites.

Thank you to Vancouver Magazine for the feature article and sharing the story and inspiration behind this artwork.

Lastly, I would like thank God for making all existence possible and helping me in realizing my dreams, and through my meditation practice, to re-connect to the well-being that always exists here now, that love that pervades all. May I always put you first, thank you for loving me constantly, unconditionally.

Download the complete digital catalogue for the exhibit.

A Drishti Painting Focus: I Am Good

I Am Good by Deb Chaney, 4’ x 5’ x 1.5” mixed media on canvas, Drishti Series 2024. Please contact the artist for purchase inquiries info@debchaney.com

The third large painting in my Drishti Paintings series I’d like to focus on in detail is called I Am Good. This original abstract represents the frequency of well-being for the 6th chakra  and is part of this series of 7 paintings that each represent an energy centre.

This exhibit is currently on display at Amelia Douglas Gallery at Douglas College in New Westminster until January 13th, 2025.

Back to the beginning to get to the end

I’ve chosen this painting as my final feature because it represents the mind and thinking and is one of the most important factors in determining our well-being.  So, let’s go back and look at this exhibit as though I’m beginning with the end in mind.

Feature article in the Fall 2024 issue of What Women Create Magazine.

The power in making a decision

Like many people, I’ve navigated my own journey experiencing mental illness. I shared this story in a feature in the Fall 2024 issue of What Women Create magazine. (Download a PDF of the complete article to read the full story.)

In the article, I share my story of going through suicidal ideation. I self harmed. I suffered from anxiety. I lost custody of my daughter for several years and I was in a very dark, bad, unhealthy mindplace.

If there had to be one determining factor in my mental health healing journey, I feel that the pivotal point was when I made a decision. That was it. I made a decision in my mind to get well. And I had such great inspiration because I really wanted to get my daughter back, especially before she was a teenager.

My Journal of Positive Aspects on display in Amelia douglas Gallery.

The power of the written word

Resolute in my decision to get well, there were numerous approaches to healing and a variety of other things that I pursued on my journey. Too many to mention here. But out of all of the healers and supplements, people and massages, and modalities, books, and teachings, if I had to choose just one, it would be the act of meditation.

In terms of connecting to source, connecting to God, meditation was the most effective means of healing. I spoke about meditation in my last Drishti post.

A second highly impactful thing I did for my well-being during the 3 years I was working on The Drishti Paintings series was intentional journal writing. And this is what I’d like to focus on here. If you are looking to shift into and align with your well-being in your mind, this can be a very powerful tool. .

When you visit the exhibit you can see a thick blue book–around 500 pages–in one of the glass cases. On the cover of the book–which is open to take a peek at some of my journaling–are the words My Journal of Positive Aspects.

I followed this practice of journaling over the span of 3 years while working on this series, and it consists of 5 specific areas of my life plus a 6th more general component. I’d like to share them here in case you decide to do this, in the hope that this can support you for aligning with your mental well-being as it has for me.

A general appreciation of things

Let’s start with the 6th point, which takes a general view. I started journal writing at 19, after receiving a copy of The Artist’s Way. The book inspired me to write morning pages, which is such a wonderful practice. It’s a free flow exercise in which you write whatever comes to mind–what you’re happy about, what you’re angry about, or what’s going on in your life. It’s truly beautiful.

However, keeping a journal of positive aspects is a more focused and curated journaling experience. It specifically helps us cultivate well-being in our mind, so the 6th point is to look at your life in general and write about what is good at that moment.

What is right here? What am I feeling good about? What can I appreciate?

For example, I will write down that I’m so grateful to have a home. I have electricity. (Which I truly feel after our island’s 5-day power outage last week.) So I appreciate the warmth in my home. And the warmth of my friendships. There’s food in the fridge and I’m in good physical health. These general things are a positive focus that I write in my journal of positive aspects.

While I was working on the I Am Good painting in this series, I would think about what is good here and be in a mind space of positive appreciation while in the creative process.

5 key areas of focus

The other 5 areas of focus are key aspects of our lives, and all it takes is a brief journal focus on each. It could simply be 3 little points or you could write more if you're inspired about these areas of your life.

When you focus on what's good in these key areas, you are realigning the energy. This is something I discussed in my first Drishti Painting Focus post about I Am Safe. There is a 17 second rule when you focus on something, you change the vibrational frequency, which is in the title of this exhibit–Capturing the Vibrational Frequency of My Well-being.  

This is an actual activity you can do, realigning your vibrational frequency, so I’d like to go through those 5 areas that I would journal.

Journaling on the Beach

Focusing on home

Starting with home, we can focus on things we appreciate. I'm really blessed to live in the Gulf Islands and I'm surrounded by trees and the air is so fresh and I live near the ocean. It’s really quiet and peaceful. 

I have two beautiful, fluffy, gorgeous cats, Henry and Ginger. 

The island where I live is called the Island of the Arts, and I have this incredible support network and community among the artists. These are some things that I really appreciate, so I would journal these things in this book of positive aspects.

Henry & Ginger lounging on the sofa

Focusing on career

If I was writing in this area right today, I would appreciate that I have this solo exhibit at Amelia Douglas Gallery for the past 2 months. Not only that, I had so much support in creating this work. My friend Ezra came by the studio and helped me pack up the art. And Janet Tilly and Jennifer Rocco from the arts department of Douglas College, have been there for me this whole time, from the grant writing process at the start of this journey, to organizing the catering for the opening reception, to helping me set up the glass cases and with the whole installation.

I've never experienced this level of support in my career and I really want to focus on that because the rule of thumb here is that whatever you focus on, you get more of. When you write something down it becomes more grounded in your life.

Focusing on relationships

For me personally, my relationship with my inner being is really important. The relationship to my inner being, to source, to God, is something I'm so grateful for. 

I believe that everything comes through God, and that my well-being is from God, and I'm grateful for this relationship through meditation. 

I also have a really beautiful circle of incredible women around me, so I would also focus on and write about them. One friend is an incredible cook and often has me over for dinner. Another friend always rallies behind me with my dreams and really believes in me. I have this extraordinary support person who’s been helping me for a number of years, and I feel I can count on him as he supports me at such an incredible level. 

When I write these things in my journal, I feel so good and I'm focusing on what's good here and what's right. I focus on what I’m appreciating in this area of relationships.

I Am Good took weeks and weeks to create and many layers before its final reveal, during this time, I got to keep coming back to positive foci in my life.

Focusing on money

This can be a really sticky area for some people, especially for artists. But the stickier and more challenging the area is to find positive focuses, the more general we want to go. 

We might get to say that I'm so grateful for all the money flowing through my life and that I always have what I need. I always have enough, and I'm grateful for the money in my bank account, and I'm grateful for selling 2 paintings last month. I'm grateful for when my artwork has been rented for use in TV and film. That's amazing. 

I'm grateful for people who visit my Saatchi Online Gallery and buy reproductions of my art and that I make money from licensing my images. It's wonderful when I get that email saying they’ve just sold X number of these prints and they’ll be sending me this much money. 

Therefore I focus on what I can appreciate with regards to money, helping me get in that mindspace of finding that good vibration.

Focusing on my body

Something I love to do is play guitar and sing, so I am grateful that I have the coordination and that my body allows me to do that. 

I also have really strong, healthy, thick hair. It still has its natural colour and I'm really grateful about that. I also love my skin and for some reason I love my hands. I don't know why. 

In this section we just focus on what we love about ourselves. If we can't go that far we think about what we like about ourselves. If we still can't like anything–and I get it, it can be hard sometimes–then we focus on what we can appreciate. It could be something as simple as saying “Hey, we didn't have to work for this. We were born and got this body for free.” Thank you God for this body.

Two women celebrating friendship, art and our well-being!

Finding your frequency

This mantra of I Am Good is for us to remember the truth in this, and i what this large abstract painting is all about. Behind this painting is a very important journal, My Book of Positive Aspects. I kept this journal for 3 years in preparation for The Drishti Paintings as a way to tune my frequency.

While not as diligently as before, I still keep a journal. It's an amazing exercise that I encourage you to practice in support of cultivating the frequency of your own well-being.

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The Drishti Experience – Capturing the Frequency of My Well-Being

Deb Chaney, Solo Exhibit, Amelia Douglas Gallery

November 7, 2025 – January 13, 2025

Seven large scale mixed media abstract paintings by Deb Chaney. Her latest work is inspired by her desire to experience and visually express the frequency of her well-being. This series sheds light on the link between healing mental illness and developing spiritual consciousness.

Location

Amelia Douglas Gallery
Fourth Floor North, Douglas College
700 Royal Avenue, New Westminster, BC V3M 5Z5

Gallery Hours
Monday–Friday: 10:00 AM–7:30 PM
Saturday: 11:00 AM–4:00 PM
Sunday: Closed
Gallery Website

Welcome to The Drishti Experience (Part 4 of 5)

Meditating at home in my meditation space.

The Healing Power of Meditation: My Inspiration for The Drishti Experience

This is the fourth in a series of 5 posts focused on my solo painting exhibit currently at Amelia Douglas Gallery: The Drishti Experience – Capturing the Frequency of My Well-Being. If you missed the first three, please read Part 1, Part 2, and Part 3.

I’ve already discussed colour, composition, and symbols, so I’d now like to focus on the number one thing I found on my healing journey that had the most positive profound impact, and that inspired the title of this exhibit–that is the power of meditation.

Meditation and Healing

Reflecting on my healing journey, I’ve realized that meditation has been the single most transformative practice for my mental and emotional well-being. This profound impact is why I chose to name this exhibit The Drishti Experience. “Drishti,” a Sanskrit word meaning focus, reflects the essence of meditation: the practice of sustaining focus to cultivate inner peace and balance.

Meditation has been scientifically proven to support mental well-being, reducing stress, anxiety, and emotional reactivity. By practicing regularly, I experienced a shift toward greater equanimity—the ability to remain calm and centered regardless of life’s ups and downs.

Cultivating Equanimity

Equanimity is not about ignoring life’s challenges or suppressing emotions. Instead, it’s about allowing experiences to arise and pass without becoming consumed by them. Through meditation, I’ve learned to step back from immediate reactions, giving me space to respond with clarity and calm. This practice has helped me break free from the cycle of stress and overreaction.

For example, imagine winning the lottery or losing all your savings. In both cases, the initial reaction—whether elation or despair—can be overwhelming. Equanimity invites us to observe these reactions without letting them control us. Over time, this perspective helps build resilience and fosters a deep sense of well-being.

My mind is strong and clear, 12” x 16” x 2” Mixed media on wood panel, 2024, framed. Please contact the artist for purchase info@debchaney.com

This painting was specifically created to support you in your meditation practice, it would be particularly helpful and supportive to anyone looking to heal their mind and cultivate clear and healthy thoughts. With a custom black floating wood frame, it is available after the exhibit ends. Please contact me for pricing and availability. (Prints are available.)

My mind is strong and clear, 12” x 16” x 2” Mixed media on wood panel, 2024, framed. Please contact the artist for purchase info@debchaney.com. This painting was specifically created to support you in your meditation practice, it would be particularly helpful and supportive to anyone looking to heal their mind and cultivate clear and healthy thoughts. With a custom black floating wood frame, it is available after the exhibit ends. Please contact me for pricing and availability. (Prints are available.)

Healing Through Focus

Much of the mental discord I’ve experienced, such as anxiety and depression, has been rooted in reactive patterns to real or imagined events. Meditation has taught me to break free from these cycles by grounding myself in the present. It’s a practice of letting go, of accepting that everything—whether good or bad—is temporary.

Life is full of changes: friends come and go, wealth fluctuates, and we all age. Meditation helps us embrace these truths with grace and understanding. By cultivating equanimity, we create a foundation for enduring well-being.

The Drishti Experience

This series of paintings is a celebration of my healing journey and an invitation for others to explore their own path to well-being. Each piece is a visual meditation, representing focus, balance, and the inner peace that comes from embracing life as it is.

I hope that my journey and this exhibit inspire you to find your own Drishti—your point of focus—and experience the transformative power of meditation.

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The Drishti Experience – Capturing the Frequency of My Well-Being

Deb Chaney, Solo Exhibit, Amelia Douglas Gallery

November 7, 2025 – January 9, 2025

Seven large scale mixed media abstract paintings by Deb Chaney. Her latest work is inspired by her desire to experience and visually express the frequency of her well-being. This series sheds light on the link between healing mental illness and developing spiritual consciousness.

Location

Amelia Douglas Gallery
Fourth Floor North, Douglas College
700 Royal Avenue, New Westminster, BC V3M 5Z5

Gallery Hours
Monday–Friday: 10:00 AM–7:30 PM
Saturday: 11:00 AM–4:00 PM
Sunday: Closed
Gallery Website

A Look At The Special Books Behind My Drishti Paintings

I would like to take this opportunity to mention the books that I read in support of my own healing journey and for guidance and inspiration in creating the Drishti Paintings.

Something truly special about this exhibit–that I've never experienced before–is the opportunity to show some of what goes on behind the scenes in these amazing glass cases that Emilia Douglas Gallery provided. 

I think that this is a really cool add-on to the exhibit because you can look at the paintings, then you get to see these behind the scenes details, such as tools, books and notes that went into creating the show.

I am surrounded by people who love and support me (12” x 16” x 2”), Mixed media on wood panel, framed by Deb Chaney. Please Email the artist info@debchaney.com to purchase original. Prints available

If you’ve been following my posts, you may recall that I went to an artist talk last year that made a strong impact on me. The artist said that when you see a painting, it's really just the tip of the iceberg. There are so many decisions and moments and ideas and layers that go into the final artwork. It's the same with research and there is so much that went into this series. It’s such a wonderful feeling and opportunity that I get to share this with you and viewers at the exhibit. 

In one of the glass cases at the exhibit, I have added a selection of books that I feel were foundational and instrumental in my understanding of well-being. These featured books, and many more I did not exhibit at the gallery, guided me on my quest to understand how to consciously create my own well-being.

Women’s Bodies, Women’s Wisdom

The first book is one that was given to me by my first mentor when I was 18. It’s called Women's Bodies, Women’s Wisdom by Dr. Christiane Northrup, and when I first received it I was surprised by how big it was. But I just started reading it and it was revolutionary for me at the time.

This was in the early 2000s and, looking back, I think the key thing I got out of that book was realizing the connection between the connection between the mind and the body. What I thought or felt could be the root cause of something occuring in my body and if I were to change that thought–it would support my body’s healing.

Books by Caroline Myss

I then moved on to reading quite a lot of work by Dr. Caroline Myss, such as Anatomy of the Spirit, which is included in the glass case. A book that’s not on display, which I highly recommend, is her book Why People Don’t Heal and How They Can. It is essential reading for anyone in search of their own well-being.

The book explained how everything is energy and that it’s all stored in the body–in your etheric system and chakras. When you have experiences, if you don't heal or clear them, they're either supporting or hindering you in some way. And your body keeps a record, like it’s this big energetic bank account. However, you have sovereignty over this account, which means the more conscious you become of this energy system, the more you can develop and consciously become well.

Dr. Carolyn Myss is such an important contributor to the world of energy medicine. She's really an incredible author and guide for people, so I highly recommend her work.

The Code to Joy

The next book is from a course I was taking, and it's The Code to Joy by Dr. George Pratt. The book planted the seed for my decision to paint 7 paintings.

This book is about learning how to reprogram yourself for well-being. The author says that through his studies and observations, he recognizes that people who are unwell typically possess certain belief patterns or thinking patterns. They share an outlook pertaining to wellness, which he followed with a list of common proclamations. Things like “I don't feel safe in the world” or “I'm not worthy” or “I can't do this”. These were the exact opposite of the powerful positive affirmations that you see in my exhibit.

I was reading his lists of thought patterns and thought–Oh, my God!–if you flip them around, they’re directly related to the energy centres. If you embrace and create a belief system that’s the opposite of this negative outlook, it’s a path to well-being.

With this in mind, I went online and quickly learned that this is nothing new and a commonly held belief among healers. But to me it was revolutionary! This is why and how the decision for 7 paintings, 7 affirmations, and 7 colours focused on 7 chakras came about.

Books by Anodea Judith

There are 2 books by Anodea Judith, Eastern Body, Western Mind and Wheels of Life, that offer everything you could possibly want to know about your chakras. They served as a guideline for each chakra as I planned each painting. (They were also a bit of a rabbit hole that I had to force myself to put aside and do some painting!)

The Flower of Life

The last books included in the display at my exhibit are the 2 volumes of The Ancient Secret of the Flower of Life by Drunvalo Melchizedek. If you’ve been following my blog posts or getting my newsletter, you know that these books have been a great influence on this series. 

These volumes not only prompted me to choose the Fibonacci sequence as the composition for these paintings, but helped me understand the power and the meaning of this sacred geometry symbol, the flower of life.

Once you go through your own healing journey, you get to a place where you feel okay. You’ve embodied these affirmations, you have good health, and you feel good in the world. When you reach this place, you’re open to the next thing. You’re asking “What’s next?” And I feel like these books are answering this question of what else is out there. And while that’s beyond the scope of this series, these books were instrumental in my getting to know and appreciate sacred geometry.

I hope that you find some inspiration and joy and value in the books I’ve read to support me in creating this series about my well-being.

Show Information

The Drishti Experience – Capturing the Frequency of My Well-Being

Deb Chaney, Solo Exhibit, Amelia Douglas Gallery

November 7, 2025 – January 9, 2025

Seven large scale mixed media abstract paintings by Deb Chaney. Her latest work is inspired by her desire to experience and visually express the frequency of her well-being. This series sheds light on the link between healing mental illness and developing spiritual consciousness.

Location

Amelia Douglas Gallery
Fourth Floor North, Douglas College
700 Royal Avenue, New Westminster, BC V3M 5Z5

Gallery Hours
Monday–Friday: 10:00 AM–7:30 PM
Saturday: 11:00 AM–4:00 PM
Sunday: Closed
Gallery Website

A Drishti Painting Focus: I Am Powerful

I Am Powerful by Deb Chaney (4’ x 5’ x 1.5” mixed media on canvas)

The second large painting in my Drishti Paintings series I’d like to discuss in-depth is titled I Am Powerful. This original abstract artwork measures 5’ x 4’ x 1.5” and is part of this series of 7 paintings that each represent a chakra or energy centre.

It is currently on display at Amelia Douglas Gallery at Douglas College in New Westminster until January 2025.

Kim Klein and Friend standing with I Am Powerful (2024) at the exhibit’s opening event.

The colour of personal power

This painting represents the solar plexus chakra, or energy centre, which is the third primary chakra. This chakra is represented by the colour yellow, whose frequency embodies the principles of intellectual power, mental acuity, and awakening. It relates to our digestive system, adrenal glands, and left brain activity.

Yellow stimulates our mental faculties and brings us clarity and an enthusiasm for life. Spiritually it is synergistic with confidence, optimism, and joy.

It is a colour of miracles and magic.

Some affirmations for this energy centre include: “I can achieve anything I set my mind to”, I’m motivated, persistent, and successful”, and “I'm fearless in the pursuit of what sets my soul on fire”. Others are “I hold the key to my own happiness”, “My soul is radiant”, and “I have the confidence to take big leaps”. 

And, of course, “I am powerful.”

The commonality with all of these affirmations and the energy of this area in your body is that it’s really about claiming your personal power. And this is something that (hopefully) we all go through in our lives–a point when we realize our own divinity within.

When you visit the gallery, you’ll notice that the painting’s title I Am Powerful is very large, unlike most artworks on display in other galleries, which typically have a tiny title card beside the bottom corner of the painting. What I’m communicating visually with these big titles below the final paintings on display is that the words are as important as the artwork.

Finding form in the formless

Generally when I make abstract art I focus on getting involved in colours and textures and feeling and integrating layers. It’s never with the aim of the painting actually looking like something. I’m an abstract painter and I’m creating abstract art that is formless.

However, when I look at this painting I see a globe and an earth, and I see light going through it and shooting up to the heavens and down below.

To me this feels like an incredible gesture and message from this painting because these paintings come through me. I didn’t plan this. I don’t have an image or sketch drawn up somewhere with an idea of what I’m going to do. That’s never part of my process.

I simply trust myself when I begin and I add one layer at a time. I have a set of principles (that I’ve been sharing in these posts), but the final image is always a surprise to me. So to end up with this illuminated globe, to me it signifies the power of the collective.

If all of us, as a collective on this planet, decided that we are powerful and that we are divine, and that we choose to focus on the positive in ourselves and others, and we saw our radiance and ourselves in each other, I truly believe that this would transform the planet. That is what I see in this painting.

I Am Powerful supports claiming your divinity, which is something we are all capable of. And it’s possible if you continue to focus on what is good and what is true within yourself; the divinity within you.

Applying the first layer of ‘I am Safe’

Shining through the black

In the image gallery above are some behind-the-scenes photos from the creation of this painting. You may notice in some of the pictures that I started with black. But in the back of my mind, I knew I was painting “I am powerful”, so the dominant colour of yellow would need to be revealed at the end as the focal point.

The challenge creatively with creating a multi-dimensional layered painting like this is that you want to have a dominant colour–such as the yellow shining through as it does in this piece.

But if you mix anything other than white with yellow, it turns into really weird colours. For example, mixing black with yellow gives you green. But if you start mixing other colours, you get muck. So I had to be very careful when adding a new layer and setting the tone and then letting it dry.

As such this painting was truly a test of my own personal power. I was forced to exercise this because after I’d put on a new layer, I had to let it dry completely before I could add something else. I could only do a little bit at a time, so it took many weeks to build up to that final place where we see this beautiful image.

Show Information

The Drishti Experience – Capturing the Frequency of My Well-Being

Deb Chaney, Solo Exhibit, Amelia Douglas Gallery

November 7, 2025 – January 9, 2025

Seven large scale mixed media abstract paintings by Deb Chaney. Her latest work is inspired by her desire to experience and visually express the frequency of her well-being. This series sheds light on the link between healing mental illness and developing spiritual consciousness.

Location

Amelia Douglas Gallery
Fourth Floor North, Douglas College
700 Royal Avenue, New Westminster, BC V3M 5Z5

Gallery Hours
Monday–Friday: 10:00 AM–7:30 PM
Saturday: 11:00 AM–4:00 PM
Sunday: Closed
Gallery Website

A Drishti Painting Focus: I Am Safe

Deb Chaney and James Teshima standing with I Am Safe (2024)

The first large painting in my series of Drishti Paintings is called I Am Safe. The original abstract artwork measures 5’ x 4’ x 1.5” and is part of this series of 7 paintings that each represent a chakra or energy centre.

It is currently on display at Amelia Douglas Gallery at Douglas College in New Westminster until January 2025. 

The root of it all

With this first painting we are looking at the root chakra–the base energy that each one of us has at the bottom of our body. When we are healthy in this chakra, we’re rooted in the earth and grounded, making us feel safe and secure. 

We have a sense of peace about being here in the physical world and the title of this painting–I Am Safe–is a powerful affirmation that encapsulates the frequency of well-being in that energy centre.

Conversely, when we are not holding a frequency of well-being in the first chakra, we can have ailments and things in our life can indicate that we’re out of balance in this area.

I Am Safe by Deb Chaney (4’ x 5’ x 1.5”)

The elements of focus

The whole point of each large Drishti painting is having a focus–which is represented by a colour. In this particular painting red is the focal point and the affirmation in the title, I Am Safe, is the focus. That dominant colour and the title affirmation is your drishti (focus).

Focusing on these 3 words may seem incredibly simple, but it’s a truly powerful practice. If you can keep your mind focused on a frequency of “I Am Safe” for 17 seconds, you create an energetic frequency and trajectory, and you’re going to perpetuate more feelings of well-being and safety in your life. You can literally change your vibration and therefore your physical well-being by focusing your thoughts.

Choosing a positive perspective ties into the series as a whole as your mind and your focus are so incredibly powerful. And this applies to each of the paintings in the series. 

Looking at this painting specifically, it has all the elements of a Drishti Painting in that there are 3 main elements that I always aim to incorporate. One is space, which you can see in the use of positive and negative space here. The second is the minty, light blue-green background used to contrast the main colour red so it really stands out. The whole idea is that you’re focused on that red energy.

And third, there’s the sacred geometry of the Flower of Life, which represents connections. 

Finding divine focus in the Fibonacci sequence

If you’ve read my earlier posts, you’ll know that I’ve based the composition of the Drishti Paintings on the Fibonacci sequence. And when I would show up to the canvas with these parameters ready to go, the focal point is like a big surprise.

In all my years of painting I’ve never approached the canvas thinking, “I’m going to paint a heart.” But when I stepped back from this painting, I realized I was looking at a physical heart. A real human heart. And when you map it out according to the Fibonacci sequence, if it were overlaid on a human body, the focal point is the heart. 

There is a bounty of spiritual knowledge and research about the heart being the centre of everything. Researchers in organizations such as HeartMath have been looking at how the heart has its own intelligence and how it perceives things more quickly than the brain.

According to Drunvalo Melchizedek in Journeys into the Heart, when meditating, you go inside your heart and everything you’ve been looking for is there. Your purpose and meaning in life is encoded in your heart, and meditation opens a doorway to a world within your heart. And I find this fascinating because to me this painting looks like a heart.

Applying the first layer of ‘I am Safe’

My personal journey

This all ties in with my personal journey as these Drishti Paintings are capturing the frequency of my well-being. I’ve done all of this healing and I want to share with the world that it is possible to heal. And the main takeaway is finding a connection with yourself and that meditating is the most potent, powerful thing that you do.

While working on each of these large paintings, I was surrounded by affirmations about what it means to feel safe in the world. What it means to feel good and grounded and be in a state of well-being. And all of these relate to the first chakra.

Many spiritual guides encourage you to put your hand on your heart, for it synergizes your mind with your heart and creates a powerful resonance. So during my walks outdoors I would put my hand on my heart and say to myself, “I'm safe in this universe and all life loves and supports me.”

When I finished this painting, I was looking at it and there was a moment when it hit me–the focal point of this painting, this big red blob, actually looks like a human heart. (And also a bit like brains.)

And since embarking on the creation of this series, and learning so much about well-being, I try to live each day and approach every challenge with my heart, as best as I can. I often ask myself: How can I see this person or situation with love? But this painting is really about I Am Safe, so I put my hand on my heart and I remind myself that I'm safe in this world and all beings and all life supports and loves me. And this is what I wish for everyone who views this painting.

Show Information

The Drishti Experience – Capturing the Frequency of My Well-Being

Deb Chaney, Solo Exhibit, Amelia Douglas Gallery

November 7, 2025 – January 9, 2025

Seven large scale mixed media abstract paintings by Deb Chaney. Her latest work is inspired by her desire to experience and visually express the frequency of her well-being. This series sheds light on the link between healing mental illness and developing spiritual consciousness.

Location

Amelia Douglas Gallery
Fourth Floor North, Douglas College
700 Royal Avenue, New Westminster, BC V3M 5Z5

Gallery Hours
Monday–Friday: 10:00 AM–7:30 PM
Saturday: 11:00 AM–4:00 PM
Sunday: Closed
Gallery Website

Welcome to The Drishti Experience (Part 3 of 5)

Large Drishti Paintings in process with the Flower of Life sacred geometry background.

This is the third in a series of 5 posts focused on my current solo painting exhibit: The Drishti Experience - Capturing the Frequency of My Well-Being. If you missed the first two posts, you can read Part 1 and Part 2 before continuing.

The exhibit is now up and available for viewing. The gallery location and hours are listed at the bottom of the page.

With composition covered, it's time to look at the Flower of Life.

What is the Flower of Life?

The Flower Of Life is an ancient sacred geometric symbol that's found in many different cultures and traditions around the world. Egyptian, Buddhist, Hindu, Islamic, and Christian cultures all have numerous representations of this ancient symbol in their art and architecture.

The oldest known example can be found in the Temple Of Osiris on a wall relief which is thought to be about 6,000 years old.

The Flower Of Life is believed to contain ancient sacred knowledge about the origins of the universe and our place in it. It's said that it contains a sacred geometry that can explain the underpinning of the cosmos.

Some believe that it holds the secrets of the universe and the key to unlocking its hidden knowledge. In fact, sacred geometry states that this ancient symbol contains the patterns of creation, and that it's capable of explaining the fundamental structure of space and time.

Why I chose it for this series

I am creative, passionate and inspired, Little Drishti (12" x 16" x 2").

Some believe that the Flower of Life represents the unity of all life and the interconnectedness of all beings.

My healing journey taught me the importance of our interconnection, and I felt that this symbol was the best symbol among many sacred geometries to represent this. And the more I dove into and learned about the Flower of Life, the more it made sense why I chose it.

Brené Brown, a research professor and author known for her work on vulnerability, courage, empathy, and shame, emphasizes the importance of healthy connections in her studies on human behavior and emotional well-being.

She often discusses how connection is at the core of healing and overall well-being. A key insight from her work in this regard is Connection as a Fundamental Human Need.

Brown asserts that human beings are wired for connection. Meaningful connections with others are essential for emotional and mental health. Without these connections, people experience loneliness, which is linked to increased stress, anxiety, and even physical health problems.

Above painting: I am creative, passionate and inspired, Little Drishti (12" x 16" x 2"). Mixed media on wood panel, framed. Price $600 please contact the artist info@debchaney.com for purchase. Work available Jan 9th, 2025 after exhibit takedown. Thank you.

How I incorporated the flower of life into my Drishti Paintings

As you may recall in a previous post, I shared about my small study paintings and how they helped me figure out my approach in layering the big paintings. I used these small pieces to experiment with different ways to include the flower of life symbol into these paintings.

In the final large Drishti Paintings, now on display at Amelia Douglas Gallery, I used 3 techniques to incorporate this sacred geometry. Using beautiful multi-sized flower of life stencils, I applied acrylic spray paint, thick clear layers with gel medium, and pencil.

The spray paint was a wonderful tool to create straight and marked edges in the work.

Gel medium allowed me to create clear and translucent layers that I could intermingle with paint glazes to create ethereal effects.

If you look closely at the large finished Drishti Paintings on display, you'll see echoes of pencil incorporated in them as I would draw in the flower of life shapes and then erase parts to integrate them into the other layers of the paintings.

It's been done before

My intention and purpose of creating these Drishti Paintings is in support of our meditation practice, to encourage us to go inward and tap into our divinity. Turns out, paintings created specifically in support of meditation have been done before!

Yantras are ancient paintings dating back to 11,000–10,000 BCE that were created by Tibetan Buddhists, also used sacred geometry, and were made specifically as an aid to meditation.

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The Drishti Experience – Capturing the Frequency of My Well-Being

Deb Chaney, Solo Exhibit, Amelia Douglas Gallery

November 7, 2025 – January 9, 2025

Seven large scale mixed media abstract paintings by Deb Chaney. Her latest work is inspired by her desire to experience and visually express the frequency of her well-being. This series sheds light on the link between healing mental illness and developing spiritual consciousness.

Location

Amelia Douglas Gallery
Fourth Floor North, Douglas College
700 Royal Avenue, New Westminster, BC V3M 5Z5

Gallery Hours
Monday–Friday: 10:00 AM–7:30 PM
Saturday: 11:00 AM–4:00 PM
Sunday: Closed
Gallery Website

Here is Your Invitation to the Opening Reception

Sitting with The Drishti Paintings

I am thrilled to invite you to the opening reception of my latest exhibition, The Drishti Experience: Capturing the Frequency of My Well-Being, happening on Thursday, November 7th, from 4:30 to 6:30 pm at the beautiful Amelia Douglas Gallery at Douglas College.

This collection is especially meaningful to me, as it visually reflects my journey of healing, well-being, and spiritual growth. Through vibrant colors, layered textures, and sacred geometry, I’ve captured what I discovered along the way. 

Each large-scale painting represents one of the body’s energy centers, offering a glimpse into the emotional and spiritual connections that have guided my creative process.

The reception will include live music, delicious hors d'oeuvres, and a chance to connect. I’d love to meet you, share more about this journey, and hear your thoughts as you experience the artwork.

Event Details:

• Date: Thursday, November 7, 2024

• Time: 4:30 – 6:30 pm

• Location: Amelia Douglas Gallery, Douglas College
  (700 Royal Avenue, New Westminster, BC)
  Fourth Floor North

I hope you can join me for this celebration of art, community, and well-being! Feel free to bring friends and family, as this evening will be an open and welcoming event for all.

Thank you for this community

I would like to thank a number of key people in our Gabriola Island community who helped me with the various aspects of this exhibit. 

The Gabriola Arts Council for awarding me the grant earlier this year in support of this exhibit. Thank you. 

Our local artist, Tyrrell Clarke, for taking all the promotional photographs. Thank you. 

Carol Ferguson for helping me write the BC and Canada Arts Council grants. Thank you. 

Jonathan Hoskins for making the beautiful small frames for the Little Drishti paintings. Thank you. 

Stephanie Artuso for taking the final photographs of the large Drishti Paintings for the exhibit catalog. Thank you. 

Catherine Hallum of Free Spirit Gallery for cheering me on every step of the way. Thank you. 

Willow Friday of Iron Oxide Art Supplies for getting me all the materials I needed to create these paintings. Thank you.

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The Drishti Experience – Capturing the Frequency of My Well-Being

Deb Chaney, Solo Exhibit, Amelia Douglas Gallery

November 7, 2025 – January 9, 2025

Seven large scale mixed media abstract paintings by Deb Chaney. Her latest work is inspired by her desire to experience and visually express the frequency of her well-being. This series sheds light on the link between healing mental illness and developing spiritual consciousness.

Location

Amelia Douglas Gallery
Fourth Floor North, Douglas College
700 Royal Avenue, New Westminster, BC V3M 5Z5

Gallery Hours
Monday–Friday: 10:00 AM–7:30 PM
Saturday: 11:00 AM–4:00 PM
Sunday: Closed
Gallery Website

My Favourite Artwork at Art Basel Paris 2024

Whole Segments by Joan Snyder, 1970 (70” x 144”)

I had the good fortune and pleasure of going to Paris this month and attending Art Basel Paris 2024.

One of my favourite pieces of art at the entire exhibition was by American painter Joan Snyder. Her 1970 artwork titled Whole Segments is a mixed media painting on canvas measuring 70” x 144” and I’d like to share a bit about why I love it so much.

About the painting

Whole Segments is a 1970 painting by Joan Snyder and this painting just sings to me. It speaks to me. It excites me. So much so that it’s hard to put it into words.

I spent so much time standing in front of this painting, then I took a video where I started in close, panned out, then took some more detailed close-ups. It’s a fascinating piece of art.

I love big art–so I love how BIG this painting is. It’s so bold. And I love its bold use of colour. I love the use of space.

And if you look at some of the detailed photos I’ve included in the gallery below, you’ll see a grid drawn with pencil. But when you step back to take in the painting as a whole, the lines disappear. Noticing these lines gave me a particular thrill, because mapping things out with pencil is precisely what I did for my New Jersey series of paintings. (Which is also the artist’s birthplace!)

She uses many different materials in the painting, including spray paint, acrylic , and oil–and I absolutely love that. It’s very reminiscent of Helen Frankenthaler’s staining technique with her color field paintings.

There’s such an energy of allowing and such a vibrancy here. It’s just so luscious and delicious and fun and free–and it endlessly inspires me.

Le Grand Palais, Paris

Whole Segments, Joan Snyder (1970)

Whole Segments, Joan Snyder (1970)

Whole Segments, Joan Snyder (1970)

Whole Segments, Joan Snyder (1970)

Whole Segments, Joan Snyder (1970)

Whole Segments, Joan Snyder (1970)

About Joan Synder

Joan Snyder (1940) is an American painter from New York who’s been painting since the 1970s and experienced tremendous success. She’s received numerous distinguished awards, including a MacArthur Fellowship, a Guggenheim Fellowship, and a National Endowment for the Arts Fellowship. 

You can read more about her on Wikipedia and see more of her artwork on her Instagram and her website.

About Art Basel

Art Basel is one of the world's most prestigious contemporary art fairs, held annually in 3 main cities: Basel (Switzerland), Miami Beach (USA), and Hong Kong (China). It serves as a platform for galleries, artists, collectors, and art enthusiasts to come together to view, buy, and sell modern and contemporary artworks. 

Art Basel has become a key moment in the global art calendar, attracting high-profile art sales, celebrity appearances, and significant media attention.

It was held this year for 3 days at the Grand Palais in Paris.

About its 2024 Paris location, Le Grand Palais

As you can see in the photo I took (in the gallery above), the exterior of this building is amazing!

The Grand Palais in Paris is a large, historic exhibition hall and museum complex located on the Champs-Élysées. Built for the 1900 Exposition Universelle (World’s Fair), it is known for its grand architecture, which combines classical elements with Art Nouveau, and for its iconic glass-domed roof. 

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Welcome to The Drishti Experience (Part 2 of 5)

Look closely for the lightly placed pencil marks creating the compositional ground for this first large Drishti Painting.

This is the second in a series of 5 posts focused on my upcoming solo painting exhibit: The Drishti Experience - Capturing the Frequency of My Well-Being. If you missed Part 1, you can read it here.

With my choices in symbols and colours covered in the last post, it’s now time to discuss the third component: composition.

The Importance of Composition

Composition is the groundwork of an abstract painting. And during the past few years of researching and formulating this series, I still felt unclear on the composition for this series.

This became truly evident with an exhibit of mine in West Vancouver where I was showing some medium format Drishti Paintings at the Silk Gallery. I realized that the composition was all over the place, but I showed them anyway–which certainly took some courage!

But rather than lose focus, I viewed these artworks as beautiful learning failures.

I knew that I wanted to capture a feeling of flow that I feel is an integral part of experiencing well-being, I just didn’t quite know how to best do that. I went to Lynn Valley and sat by the river, pondering this compositional conundrum. I felt that rivers had something to teach me. I also had yet to come upon the Fibonacci sequence.

What is the Fibonacci sequence?

The Fibonacci is a mathematical sequence in which each number is the sum of the two preceding it.

It is named after Leonardo Fibonacci, the 12th-century Italian mathematician who observed these number patterns in Nature.

Walking through the woods, he noticed that growth patterns in petals and leaves appeared universally consistent. When a certain plant sprouted from the ground, it would grow by 1 leaf, then 2 leaves, then 3, then 5, then 8, and so on.

This pattern of numbers eventually became known as the Fibonacci Sequence and, if you’re given any 3 consecutive numbers in the sequence, you can easily recognize the pattern. It’s a very special sequence that is truly crucial to Life.

Discovering Fibonacci

After returning home to Gabriola Island, a book I’d ordered from the library arrived. And as soon as I started reading The Ancient Secret of the Flower of Life by Drunvalo Melchizedek, I couldn’t put it down.

He writes about how the pyramids of Giza, the Sphinx, and other great monuments in Egypt, are positioned along the Nile River according to the Fibonacci sequence. With each structure representing a chakra, they served as guideposts along a path of transformation for students learning to access higher dimensions.

I realized that my own journey to well-being was linked with spiritual consciousness–and both involve a journey up the energy centres. So I was excited to discover that the Fibonacci sequence embodies this principle and has connections to a river as well!

A pattern for spiritual growth

The Fibonacci sequence is regarded as a fundamental blueprint to the universe in many spiritual traditions–for it appears in natural forms, from the spirals of galaxies to the arrangement of leaves on a plant.

This is seen as evidence of an underlying order or intelligence in the cosmos, suggesting that the universe is a reflection of a divine or spiritual consciousness.

The Fibonacci sequence can be interpreted as a metaphor for spiritual growth. Just as each number in the sequence builds on its predecessors, spiritual evolution is a process of continual growth, where each stage of consciousness builds on the experiences and lessons of the past. As well, the sequence heads inward to a focal point - a drishti - within itself. Just as on our healing journey we must learn to go within ourselves.

I learned that as I pursued a healing journey, it became synonymous with a spiritual one and that the more conscious I became, the better I felt in my life.

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The Drishti Experience – Capturing the Frequency of My Well-Being

Deb Chaney, Solo Exhibit, Amelia Douglas Gallery

November 7, 2025 – January 9, 2025

Seven large scale mixed media abstract paintings by Deb Chaney. Her latest work is inspired by her desire to experience and visually express the frequency of her well-being. This series sheds light on the link between healing mental illness and developing spiritual consciousness.

Opening Reception: Thursday, November 7, 4:30 PM–6:30 PM

Featuring live music and hors d'oeuvres

Artist Talk: TBA

Location
Amelia Douglas Gallery
Fourth Floor North, Douglas College
700 Royal Avenue, New Westminster, BC V3M 5Z5

Gallery Hours
Monday–Friday: 10:00 AM–7:30 PM
Saturday: 11:00 AM–4:00 PM
Sunday: Closed
Gallery Website

Look Who's In The New Issue Of What Women Create!

I’m proud to announce that I’m featured in the 2024 Fall Issue of WHAT Women Create magazine. The 14-page article is truly an honour and I hope you will take the time to check out this wonderful magazine.

About the article

In the article–which I wrote in the first-person–I share my journey as an artist and how I’ve arrived at this point: which is my upcoming solo exhibit of 7 large-scale paintings. The art exhibit, featuring my Drishti Paintings, runs from this November until January 2025.

The article is very personal to me as I open up about loss, grief, and depression, and how art was my saving grace. It brought me back from the edge and was essential to my healing and mental well-being.

Follow me from Vancouver, British Colulmbia to Hermosa Beach, California–where I got my first art commission–and back to Canada, where I eventually settled on Gabriola Island. My art continued to flourish, from licensing agreements with Hilton Hotels to deals with Hulu and Netflix.

I discuss my creative process, from meditation to nature walks to painting test pieces before setting to work on a large canvas. The Drishti Paintings are a decade in the making and this article really helps you understand the what and why of this series in particular and my art in general.

About WHAT Women Create magazine

WHAT Women Create is a beautiful and inspirational quarterly magazine focused on women artists and artisans. Each issue is an anthology of the processes and the passions of what our artisans and makers create.

The articles are written in first-person so you can envision being inspired in the same way as the artists and artisans. Each story celebrates courage and tenacity, and teaches us all that we, too, can create that which comes from our soul, that which is seen through our eyes, and that which is made by our own hands.

The magazine is available in print and online.

Order print and digital copies here: https://magdogs.com/product/what-women-create-fall-2024/

The Drishti Experience – Show Information

The Drishti Experience – Capturing the Frequency of My Well-Being

Deb Chaney, Solo Exhibit, Amelia Douglas Gallery

November 7, 2025 – January 9, 2025

Seven large scale mixed media abstract paintings by Deb Chaney. Her latest work is inspired by her desire to experience and visually express the frequency of her well-being. This series sheds light on the link between healing mental illness and developing spiritual consciousness. 

Opening Reception: Thursday, November 7, 4:30 PM–6:30 PM

Featuring live music & hors d'oeuvres

Location
Amelia Douglas Gallery
Fourth Floor North, Douglas College
700 Royal Avenue, New Westminster, BC V3M 5Z5

Gallery Hours
Monday–Friday: 10:00 AM–7:30 PM
Saturday: 11:00 AM–4:00 PM
Sunday: Closed
Gallery Website

Can You Feel The Love In This Painting?

Love is always loving us by Deb Chaney (9” x 12”)

My new abstract artwork, Love is always loving us, is now available for sale. You can buy the original painting on Saatchi Art, where high-quality reproductions are also available to custom order in a range of sizes and formats.

About this painting

This captivating abstract expressionist painting immediately grabs your attention, bursting with vibrant hues. The canvas is dominated by a rich, earthy reddish-orange on the left and bright, sky blue tones on the right, punctuated by splashes of turquoise and white. 

The dynamic composition features organic shapes, dripping lines, and textured elements that create a sense of depth and energy. 

A title suggesting a universal and enduring theme of affection is complemented by vibrant colors and expressive brushstrokes that evoke a feeling of warmth, passion, and resilience. 

The paint is applied in thick, gestural strokes, creating a sense of depth and dimension. And the interplay of shapes and lines can be interpreted in various ways, from natural forms to abstract symbols, each representing a different aspect of love.

I created this painting during one of the private art lessons that I offer in my studio. It is now part of my Little Gems Series and measures 9” x 12”.

About my Little Gems Series

My popular Little Gems Series is a collection of paintings that start out as practice pieces. I use them to hone my skills as well as explore and try out new techniques and ideas. 

Each painting in the series is bursting with the joy, love, and passion I feel in the studio. And all that energy and positivity is infused in every piece of artwork – which becomes my gift to you!

You can see more abstract paintings in the series here at Saatchi Art.

Prints and Original Artwork for Sale Online

You can buy the original painting of Love is always loving us online at Saatchi Art here:

https://fwf0.short.gy/love-always 

You can buy reproductions of Love is always loving us here:

https://fwf0.short.gy/love-always-p 

Reproduction prints on Saatchi Art are available in 3 formats:

Fine Art Paper

310 GSM, 100% cotton linters, archival quality, natural white finish with a slightly structured, soft-textured surface.

Metal

Specialized inks infused into specially coated, thin, high gloss aluminum sheets. Exhibit mounted on 2mm black Styrene and finished with a black Metal Inset Frame.

Canvas

Museum grade, matte textured (20.5 mil), bright white, poly-cotton blend with no additives and no agents.

Upcoming Solo Exhibit—The Drishti Experience (Part 1)

The Dristhi Paintings (in process) by Deb Chaney

This is the first in a series of 5 posts focused on my upcoming solo painting exhibit: The Drishti Experience – Capturing the Frequency of My Well-Being.

What is a Drishti?

Imagine you are in a yoga class. You’re doing a pose that requires you to balance and the instructor encourages you to find a spot on the wall to focus on.

That spot is “a drishti”. And by focusing on this, you begin to lose your wobble and hold steady.

The same applies in life, when we choose a positive focus, it helps us to find our well-being.

9 Years in the making

While giving an artist’s talk in 2015 Vancouver Arts Colloquium Society, an audience member asked me if I could identify the key factor in my healing from mental illness. My answer was the definition of a Drishti. I realized that when I chose a positive focus, this in turn helped me to create my well-being and support my healing.

And it was then that the seed for this Drishti Paintings series was planted. I wanted to find a way to visually share how I found my well-being.

The beginning of this series started with many small studies on paper that typically measure 11” x 15”. Before I could even think about starting the large paintings, I needed to figure out all of the components–the sacred geometry flower of life elements, colours, and composition–and how they would work and layer them together to visually capture the essence of well-being.

This is why, up until last month, I still had all of these large blank canvases. Dozens of smaller works, as well as hundreds of hours, can often be found leading up to a single finished large painting.

If you're curious, you can see some of these small studies in my “Little Drishti’s” series on Saatchi Art.

Starting small

While working on these small studies, my process evolved into clarity that would serve me when I finally tackled the big paintings. The clarity for how I would execute all the components I wanted to include in the final large scale Drishti Paintings didn’t come at all at once. It felt like I had to figure out one component at a time.

I was confident in my choice of colours–each colour representing the energy frequency of each energy centre (chakra) in the body.

I was also clear about incorporating the flower of life’s sacred geometry, representing the interconnectedness amongst all living things and what I feel is one of the essential ingredients of our well-being: connection.

The third component of these paintings–the composition–still escaped me. I’ll get into the story about how I finally figured out what it would be in the next email (Part 2) in this series.

To our well-being,

Deb Chaney

P.S. You can also read my full feature article in the September 2024 issue of What Women Create Magazine or online here.

Show Information

The Drishti Experience – Capturing the Frequency of My Well-Being

Deb Chaney, Solo Exhibit, Amelia Douglas Gallery

November 7, 2025 – January 9, 2025

Seven large scale mixed media abstract paintings by Deb Chaney. Her latest work is inspired by her desire to experience and visually express the frequency of her well-being. This series sheds light on the link between healing mental illness and developing spiritual consciousness.

Opening Reception: Thursday, November 7, 4:30 PM–6:30 PM

Featuring live music, hors d'oeuvres, and a cash bar

Artist Talk: TBA

Location
Amelia Douglas Gallery
Fourth Floor North, Douglas College
700 Royal Avenue, New Westminster, BC V3M 5Z5

Gallery Hours
Monday–Friday: 10:00 AM–7:30 PM
Saturday: 11:00 AM–4:00 PM
Sunday: Closed
Gallery Website

What Meaning Is Found Behind These Hidden Words?

The Writing is in the Air - Original Black - I of II by Deb Chaney (30” x 30”)

I’m thrilled to announce that a private art collector has added two of my paintings to their personal collection, The Writing is in the Air – Original Black – I and II.

The pair of paintings were sold to a gallery client who are in the process of renovating their new apartment. Thank you for choosing my artwork–and congratulations on making your home beautiful!

I would also like to extend my appreciation to Van Dop Gallery in New Westminster, with a big thank-you to Trudy Van Dop!

Visit the Van Dop Gallery website to see which paintings are at the gallery and arrange a private viewing.

About these paintings

The Writing Is In The Air I and II are monochromatic abstract expressionist paintings that invite contemplation and interpretation. The colour palette is dominated by a muted gray background with smudges  and strokes of black.

Each of the paintings in this series is an echo of my own personal spiritual learning and their inspiration was drawn from carefully chosen passages in a metaphysical book I was reading. 

I begin with a 2B pencil and a large ruler to draw lines across my canvas. I then look to the book’s passage to dictate my colour choice. Using an ink dropper with the selected colour of ink, I scribe the writings into the canvas. 

The words are not intended to be read, but they are applied to the canvas so that the energy they carry can be imbued into the painting. 

After the words are down, I may add or remove layers or play around with dripping water, alcohol, and ink, to arrive at the final image. The final image is then sealed and finished with a final satin varnish. Each painting is wired on the back and ready for exhibit.

Both original mixed media on canvas paintings measure 30” x 30”.

I’d also like to share some behind-the-scenes photos of the paintings in my studio before they were shipped to Vancouver for client approval. Before I ship paintings I often repaint the edges and double check the Varnal varnish just in case it needs a touch-up.

The Writing is in the Air - Original Black - I of II

The Writing is in the Air - Original Black - II of II

The Writing Is In The Air Series

This series of medium-sized artworks consists of simple abstract paintings that are inspired by nondescript writings that melt into the canvas. 

Each painting is an echo of my own personal spiritual learning. Imbued with wisdom and healing words, these paintings aim to elevate our collective consciousness.

You can see more paintings in this series here: https://fwf0.short.gy/series-writing-in-air 

Prints and Original Artwork for Sale Online

Even though the original paintings of The Writing is in the Air – Original Black – I and II have both been sold, you can buy high-quality prints of the paintings online at Saatchi Art here:

• https://fwf0.short.gy/writing-air-black-i 

• https://fwf0.short.gy/writing-air-black-ii 

Reproduction prints on Saatchi Art are available in 3 formats:

Fine Art Paper

310 GSM, 100% cotton linters, archival quality, natural white finish with a slightly structured, soft-textured surface.

Metal

Specialized inks infused into specially coated, thin, high gloss aluminum sheets. Exhibit mounted on 2mm black Styrene and finished with a black Metal Inset Frame.

Canvas

Museum grade, matte textured (20.5 mil), bright white, poly-cotton blend with no additives and no agents.